Published inFull FrameThe Future Was ThenWhat a 23-year-old DSLR teaches us about image quality, workflow, and artistic integrity.5d agoA response icon135d agoA response icon13
Published inFull FrameThe Unbearable Lightness of SeeingWhy do we marry our cameras and flirt with our lenses.Jul 8A response icon7Jul 8A response icon7
Published inFull FrameWhen Old Glass Learns New TricksHands-On with the Techart Autofocus Adapter for Manual LensesJul 1A response icon5Jul 1A response icon5
Published inCounter ArtsWhy a Black Square Isn’t a Black SquareThe confusion regarding modern Art.Jun 19A response icon7Jun 19A response icon7
Published inGenerative AIThe Creative Split: Old Ways, New ToolsHow AI is reshaping the process — and why you don’t have to pick a side.Jun 18A response icon2Jun 18A response icon2
Published inFull FrameYou Just Have to Get Closer!How Robert Capa’s words still echo in today’s photography and filmmaking and what is the true meaning behind them.Jun 15A response icon9Jun 15A response icon9
Published inFull FrameColor Theory for Photographers, Part IIArtistic Use of Color: how to think in colors and why color is a part of composition.Jun 9A response icon7Jun 9A response icon7
Published inFull FrameColor Theory for Photographers, part IThe basics of color theory for photographers.Jun 6A response icon9Jun 6A response icon9
Published inFull FrameAchieving that “Analogue Medium Format” Look in Three Easy StepsIt is never the same, but maybe it is close enough.May 31A response icon5May 31A response icon5
Published inFull FrameBeyond the Frame: How Much Retouching is Still OK?An intriguing answer from media theory.May 27A response icon9May 27A response icon9
